Victorian, Birmingham, 1877
Maker’s mark of FDK Elkington
Diameter: 29.1 cm, 11 1/2 in.
Height: 6 cm, 2 1/3 in.
Weight: 1,534 g, 49 oz. 6 dwt.
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The success of this well-known firm of electro-platers and manufacturing silversmiths, the original patentees of the electroplating process, was largely due to the energy of George Richards Elkington. The son of James Elkington, a gilt-toy maker, he was born at St. Paul's Square, Birmingham on the 17th of October 1801 and was subsequently apprenticed to his uncles Josiah Richards and George Richards, later becoming a partner with them. Although the partnership with G. Richards only lasted til 1840, G.R. Elkington was also in business at about this time with various other individuals, most noticeably his cousin, Henry Elkington with whom he conducted research into gilding base metal which led to three patents in 1836 and 1837. In 1837 a subsidiary partnership, lasting until 17th October 1843, was formed to exploit these patents with the proprietors of two Birmingham firms of button makers; besides G.R. Elkington, the partners in this venture were John Hardman senior and junior and Jeremiah Illiffe of Hardman & Illiffe, William Hammond Turner, James Turner and Henry Turner. Meanwhile, G.R. Elkington and Henry Eklington, together with a number of assistants, among whom was Alexander Parkes, were able to bring the technique of electroplating to perfection in 1840 with the reluctant help of John Wright whose invention of electrolyte containing potassium cyanide was the deciding factor. Convinced of the eventual success of their experiments, G.R. Elkington commenced the building of a large factory in the late 1830's at Newhall Street, Birmingham; another, for the manufacture of 'electro-plated goods of the plain and useful kind, as spoons, forks, etc.' was built between 1848 and 1851 at Brearly Street, Birmingham. Money to finance such an ambitious programme was provided by the introduction in 1842 of a third partner, Josiah Mason, a successful steel pennib manufacturer, whereupon the style of the firm was changed to Elkington, Mason & Co. In addition, G.R. Elkington, listed at his London showroom at 74 Hatton Garden as a gold, gilt and silver ornament manufacturer, came to an agreement in 1840 with his relative by marriage, the London manufacturing silversmith, Benjamin Smith (Jr.) , to open electroplating workshops at 45 Moorgate Street, City, and retail shop at 22 Regent Street. The connection ended unfortunately for Smith when G.R. Elkington took control of both premises in 1849, forcing the former into bankruptcy. Although Elkington's electroplate met with initial resistance in the trade, especially among those connected with the Sheffield plate industry, it was soon accepted with the result that the firm allowed a number of other manufacturers to use the technique under licence. Among the earliest granted were those to Christofle & Cie in France and in England to Thomas Prime & Son of Birmingham, and William car Hutton of Sheffield. Described as electroplaters, gilders manufacturers of silver, gilt and plated goods and bronzists of Birmingham, Liverpool, London and Dublin, the partnership between G.R. Elkington and J. Mason was terminated, by an agreement dated January 1858, on 31st December 1861 after which the business traded under the style of Elkington & Co. G.R. Elkington died at the age of 64 on 22nd September 1865, leaving an estate of £350,000; under the terms of his will his four sons and co-partners, Frederick Elkington, James Balleny Elkington, Alfred John Elkington and Howard Elkington continued the firm. Further retail premises were opened at Church Street, Liverpool, a branch which was subsequently moved to 9 Parker Street, Liverpool, Before taking over in 1901 at the lease of William Angus & Son's premises at 27 Lord Street, Liverpool. Early in 1874 Elkington & Co. acquired the business of Giovanni Franchi, the Italian electrotypist, who died in 1875, and his nephew remained to manage the workshops, from where Elkington & Co. advertised in 1881 that, 'having established a branch manufactory at (Franchi's place of business), (they) are now prepared to do depositing in Silver and Copper and also Plating and Gilding for the Trade; Prices and estimates on application.' The partners, meanwhile, were joined by Hyla Elkington and Herbert Frederick Elkington. Described as goldsmiths, silversmiths, electrogilders, electroplaters and general metallurgists, their partnership was dissolved on 31st December 1886 prior to the firms conversion into a limited liability company in 1887 under the style of Elkington & Co. Ltd.with Thomas Henry Rollason recorded as managing director, and the following as directors: Frederick Elkington, Herbert Frederick Elkington, Hyla Garrett Elkington and William Lee Matthews, Sir George Scott Robertson, Gerard Bartlett Elkington and Andrew Binniw. During this period the company opened additional retail premises at 73 Cheapside, EC, which were opened in 1893 and then closed in 1925; St. Anne's Square, Manchester; 84 St. Vincent Street, Glasgow, which were opened in 1898 and subsequently moved to Buchanan Street, Glasgow; Commerce Street, Glasgow; and at 32 Northumberland Street, Newcastle, which were relinquished in 1913. On 25th April 1907, Elkington & Co. Ltd. was registered as a new company under the same style. Elkington & Co.'s vast output over the hundred years after 1840 included all types of silver and electroplate, from table silver and domestic holloware to fine display and artworks. Besides their original experiments, the firm constantly improved techniques, such as the perfection in the late 1890s of electroplating for decorative purposes on to glass or porcelain, a process which appears to have been pioneered in America. Elkington & Co. were probably the most frequently represented of all British manufacturing silversmiths at the many local, national and international exhibitions held between 1840 and 1914.Description
With reeded border and a central silver high relief scene encircled by elongated gadrooned ornament. The relief scene depicts a winged woman with antique style dress, identifiable as an allegory of history, surrounded by putti with dramatically flowing drapery, adding a sense of dynamism and drama to the scene. History kneels on a bed of stylised roses; at her feet are strewn books, a globe, and laurel branches. She wields a quill in anticipation of writing in an open book help up by a putto.
The Victorian era was a time in which Britain saw tremendous economic and industrial growth as a result of the Industrial Revolution – exemplified by The Great Exhibition of 1851. Additionally, Britain’s imperial power was strengthened when, in 1858, India came under direct British Government control, Queen Victoria later being declared Empress of India in 1876.
In light of this, one could consider the portrayal of History in this tazza by Elkington - a maker of great technical innovation - to represent the progress and strength of Britain as a nation both through conquest and modernization, as if Britain is literally writing history.
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