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Directors Choice – The Marlborough Candlesticks
A historic and unique set of twelve George I candlesticks
London, 1719
Maker’s mark of Thomas Farren
Brittania Standard
With Monogram and Coronet for John Churchill, 1st Duke of Marlborough.
Height: (four smaller) 14cm, 5.5 in / (eight larger) 17cm, 6.7 in
Total Weight 5,00 g, 182oz 4 dwt
The union of geometry and precious metal has long been a defining feature of decorative arts, and few examples illustrate this more effectively than silver candlesticks designed with an octagonal form. The octagon, with its balanced combination of straight lines and softened angularity, provides a visual harmony that is both structured and graceful. When rendered in silver, this geometric form acquires an additional dimension of refinement through the metal's reflective qualities and luminous surface.
Unlike circular candlesticks, which emphasize fluidity, or square forms, which can appear rigid, the octagon occupies a sophisticated middle ground. Its eight sides create a sense of rhythm and movement while maintaining architectural stability. This balance makes the octagonal candlestick particularly appealing conveying both elegance and strength.
Light striking the multiple facets of an octagonal base or stem is reflected at varying angles, producing subtle shifts in brightness and shadow. These changing reflections animate the surface, emphasizing the precision of the form while drawing attention to the craftsmanship involved in its creation. The resulting interplay between geometry and light transforms a functional object into a sculptural work of art.
London, 1719
Maker’s mark of Thomas Farren
Brittania Standard
With Monogram and Coronet for John Churchill, 1st Duke of Marlborough.
Height: (four smaller) 14cm, 5.5 in / (eight larger) 17cm, 6.7 in
Total Weight 5,00 g, 182oz 4 dwt
The union of geometry and precious metal has long been a defining feature of decorative arts, and few examples illustrate this more effectively than silver candlesticks designed with an octagonal form. The octagon, with its balanced combination of straight lines and softened angularity, provides a visual harmony that is both structured and graceful. When rendered in silver, this geometric form acquires an additional dimension of refinement through the metal's reflective qualities and luminous surface.
Unlike circular candlesticks, which emphasize fluidity, or square forms, which can appear rigid, the octagon occupies a sophisticated middle ground. Its eight sides create a sense of rhythm and movement while maintaining architectural stability. This balance makes the octagonal candlestick particularly appealing conveying both elegance and strength.
Light striking the multiple facets of an octagonal base or stem is reflected at varying angles, producing subtle shifts in brightness and shadow. These changing reflections animate the surface, emphasizing the precision of the form while drawing attention to the craftsmanship involved in its creation. The resulting interplay between geometry and light transforms a functional object into a sculptural work of art.
